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Date Created: 30.3.20
AT HOME TEACHING AND LEARNING
HEY HEY, IT’S BASQUIAT!
(SELF PORTRAITS)
WITH NIC PLOWMAN
YEAR LEVELS: 5 - 8
OVERVIEW
In this lesson, students will create a mixed media self-portrait collage
based on the work of American artist and cultural icon, Jean Michel
Basquiat.
ART ELEMENTS & PRINCIPLES
Line, shape, texture, Colour, Contrast
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Date Created: 30.3.20
VOCABULARY
What do these words mean?
Painting, Graffiti, Street Art, Tag, Poet, Dichotomy
CROSS-CURRICULUM /
CAPABILITIES LINKS
Music, Personal and Social Capabilities
LEARNING
OBJECTIVES
Students will:
Explore the work of Jean-Michel Basquiat as inspiration to explore
materials and develop individual responses to the ideas explored in
his artworks
Experiment with art materials and mixed media techniques.
Create a self-portrait and discuss their ideas behind the work.
Be able to identify and describe the features of Jean-Michel
Basquiat’s work.
MAKE
Step 1: View the Basquiat/Haring show online at NGV
https://www.ngv.vic.gov.au/virtual-tours/haring-basquiat/
Take note of the work by Jean-Michel Basquiat; In particular the
painting of people, heads and faces.
Step 2: Now pop on some music! (Always a great way to start any art
activity)
For this activity I suggest Jazz music. Basquiat loved Jazz music
https://www.abc.net.au/jazz/
Step 3: Grab three different coloured oil pastels. Choose colours that
you like or colours that represent how you are feeling.
Put these in your non-dominant hand (that means the hand you DON’T
usually draw with)
Now sit in front of your piece of paper and look at the size of the paper.
Work big and try to fill up most of the space with your drawing.
Take one of the oil pastels and close your eyes.
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Date Created: 30.3.20
Step 4: Keeping your eyes closed, listen to the music and let yourself
react to the music as you draw. You are drawing yourself, your own
face.
To help with this use the hand you are not drawing with to gently feel
your face. When you feel your eyebrow - draw your eyebrow; when you
feel your nose – you’re your nose.
Feeling with one hand and drawing with the other.
Concentrate on the music, how does it make you feel? Let the music
help move your hand and influence the marks you make.
Swap oil pastels when you feel like it. You can make whatever marks
you like – listen to the music it will help you decide. Just remember you
need to draw your face: some eyes, a nose, ears, mouth and a big
round head to fit them in. Try to draw for five minutes, and try not to
forget any part of your face.
Step 5: Open your eyes. It will look strange and scribbly and you will
probably laugh - all these are good!
Step 6: Cut out the head shape drawing and put it aside. Keep the
piece of paper with the hole in it (where your head drawing used to be)
You will use it soon.
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Date Created: 30.3.20
Step 7: Get a large coloured piece of paper (in the image I have used
two pieces joined on the back with masking tape)
Place the piece of paper with the missing head shape (from step 6) on
top and glue it down to the coloured paper.
Step 8: Cut out all the parts of your face: Eyes, eyebrows, nose, mouth
and ears.
Step 9: Glue down all the parts of your face that you just cut out.
Step 10: To create a mouth, take the mouth you cut out (or a separate
scrap piece of paper) and cut out lots of small rectangles for teeth.
Like a happy smiling skull.
Glue all the face parts down: eyes, the nose, the teeth, etc
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Date Created: 30.3.20
Step 11: Use some scraps to add hair and clothes. You can choose
whatever colour paper you want or use pieces of scrap paper.
Magazines or newspaper work too.
Step 12a: Choose a dark or light-coloured oil pastel (It needs to stand
out from the background coloured paper) to draw a line around the
outside and on the inside of your portrait. See example.
Step 12b: Then, using a continuous line (that means use one long one
line where your oil pastel is always touching the paper as you draw).
Draw around all the face parts you glued down: eyes, nose, teeth etc..
See image.
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Date Created: 30.3.20
Step 13: Now you can add other elements like arms, hands and
bodies.
Add some text from outcomes of *Activity A in the DISUSSION part of
this lesson.
Step 14: Paint or fill in the space around your portrait.
You can use the music to help you choose colours and make marks
with this final step.
Like Basquiat you are creating work that explores the dichotomy of
experience.
You have used music to transform internal feelings into experimental
mark making.
You have worked on a self-portrait that refers to what you look like and
what you think and believe – referencing your mind/body connection.
DISCUSSION
/
REFLECTION
Jean-Michel Basquiat was a famous American artist of Puerto Rican
and Haitian heritage.
He was born in 1960 and died in 1988. Andy Warhol was his friend
and supporter, and championed his career form the beginning.
Basquiat started his career as a street poet and graffiti writer under
the tag ‘SAMO’ with his friend Al Diaz. Basquiat’s work often
referenced the dichotomies of human experience, social and societal
values, and the inner and outer experience of being human.
Activity A: Word association.
Basquiat’s work often included text in his work that spoke of his inner
experience and outer experience. This text often reflected dichotomies
in thinking and values. (Dichotomy: things that are at opposite ends of
a scale or seem vastly different) Eg. Home and Work, Health and
Sickness, Rich and Poor, Light and Dark, Happy and Sad, Peanut
Butter and Vegemite.
Think of and recognise things in your life that are opposites? Things
that cause different emotions and feelings?
Make a list of things that you agree with and disagree with or things
that make you happy or sad?
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Date Created: 30.3.20
Think of a situation that was challenging. Eg. Being stuck at home
during Covid19 restrictions. What words describe both the positive
and negatives aspects of this situation?
Pick some of the words you came up with to write on your self-portrait.
Basquiat often wrote words on his work that he scribbled out or
changed - Why do you think he did this?
*Basquiat used to sign his thoughts by writing SAMO - Do you have a
nickname or a name you like? Sign your work with this.
Activity B: Art discussion. (After viewing the work of Basquiat)
Instruct students to work in pairs and perform a role play. Using a prop
telephone (old 80’s phone to be authentic to Basquiat’s time) students
will discuss a sample Basquiat artwork (that you have chosen for them
to discuss). One student is a rich New York art buyer and the other
Mary Boone the famous gallery owner who represented Basquiat and
sold his work. Encourage students to use art language where possible
(elements and principles)
Suggested questions:
What type of work is it?
Who is the artist?
Tell me about the artist’s work?
Can you describe it using art language please?
Describe the marks, colours and materials used.
How big is it? Where will you hang it?
MATERIALS
& EQUIPMEN
T
Oil Pastels
A3 Paper
A3 Brown Kraft Paper or Card
Glue stick
Scissors
A4/A3 Colour Paper
INSPIRATION
RELATED ARTWORK,
LINKS & SOURCES
https://www.ngv.vic.gov.au/virtual-
t
ours/haring-basquiat/
https://radio.abc.net.au/stations/jazz/live
Contemporary Australian artist Gordon Bennett did a series of work
called’ Notes to Basquiat’ where he used Basquiat’s work and style as
a source to discuss his experiences.
https://www.artgallery.nsw.gov.au/collection/works/21.2014/
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Date Created: 30.3.20
Australian Artist Cj Hendry has included portrait of Basquiat and
Warhol in a recent body of work.