Works Cited
Blanton, A. (2001, April 10). Bob Dylan: An Impact on American Society in the
1960’s. Retrieved January 2, 2015, from
http://www.dartmouth.edu/~zimmerman/students/BobDylan.pdf.
Bostrom, R. N., Lane, D. R., & Harrington, N. G. (2002). Music as Persuasion: Creative
Mechanisms for Enacting Academe. American Communication Journal, 6, 1.
Brummett, B. (1991). Rhetorical dimensions of popular culture (pp. 37-68).
Tuscaloosa: University of Alabama Press.
Burke, K. (1974). The philosophy of literary form: Studies in symbolic action. Univ of
California Press.
Corbett, E. P. (1963). The usefulness of classical rhetoric. College Composition and
Communication, 162-164.
Corbett, E. P., & Connors, R. J. (1965). Classical rhetoric for the modern student (pp.
86-94). New York: Oxford University Press.
Dream Songs: The Music of the March on Washington. (2013, August 28).The New
Yorker.
Dunlap, J. (2006). Through the eyes of tom joad: Patterns of american idealism, bob
dylan, and the folk protest movement.Popular Music and Society, 29(5), 549-
573,637.
Edwards, E. D., & Singletary, M. W. (1989). Life's soundtracks: Relationships
between radio music subcultures and listeners’ belief systems. Southern
Communication Journal, 54(2), 144-158.
Eyerman, R., & Jamison, A. (1995). Social movements and cultural transformation:
Popular music in the 1960s. Media Culture and Society, 17, 449-449.
Farber, D. (1994). The age of great dreams: America in the 1960s. Macmillan.
Harris, R. A. (2003). Writing with clarity and style: A guide to rhetorical devices for
contemporary writers. Pyrczak Pub.
Jurek, T. "The Bootleg Series, Vol. 6: Bob Dylan Live 1964 - Concert at Philharmonic
Hall". Allmusic.
Kizer, E. J. (1983). Protest song lyrics as rhetoric. Popular Music & Society,9(1), 3-11.