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2022-23 Speech Event Summaries
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n accordance with Section 1.450 of the IHSA Constitution, the IHSA Board of Directors has approved the Terms and Conditions governing the 2022-2023 IHSA Speech State
Series. This document outlines the competitive events; however, it does not replace the terms and conditions which are the rules governing interscholastic speech competition.
Event questions can be directed to the regional, sectional or state final manager in addition to the IHSA office.
D
RAMATIC/HUMOROUS DUET ACTING (DDA/HDA)
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efinition: Dramatic and Humorous Duet Acting are the presentations of dramatic or
humorous selections by two individuals.
Purpose: The purpose of Humorous Duet Acting and Dramatic Duet Acting is to
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rovide students an opportunity to understand script analysis and develop
characterization and acting skills in a confined setting.
Material: Material must come from a single printed, published source and must meet
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igh standards for good literature. Sources of material include cuttings from plays,
verse plays, teleplays, screenplays, or other works that meet all criteria for the event
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ay be presented. Excluding the introduction, a cutting may include the portrayal of
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o more than two characters. Material in which an author assigns multiple characters
to one actor is acceptable. Combining the lines of two or more characters to create
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ne composite character is prohibited. Adaptations condensing multiple characters
and creating/combining dialogue are prohibited. Assigning a line from the text to a
given character for the purpose of transitions or continuity is not to be considered the
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reation of a “composite” character. A transition is considered part of the cutting and
may not include portrayal of additional characters. Material other than the author’s
work must be limited to 15%.
Appropriateness of Material: See VIII-A-1 of the Speech Terms and Conditions.
Time Limit: 8 minutes.
Timekeeping Procedures: See VIII-E of the Speech Terms and Conditions.
Time Limit Penalty: For each full thirty (30) seconds of overtime (8:30.01, 9:00.01,
etc. - 1 tic past 8:30, 9:00, etc.) the contestant’s ranking from each judge will be
lowered by one (1) place. This reduction is mandatory and will be administered by
contest management. The other contestants’ ranks will not be affected. There is no
penalty for speaking less than eight (8) minutes.
Use of Script, Props, and Visual Aids During Performance: One (1) solid standard
table, with four legs, approximately 30” x 48” inches and two (2) chairs shall be
provided by the host site. If a table meeting these approximate dimensions is not
available, managers should specify the dimensions and any other specifics of the table
to be used to competing schools prior to the start of the tournament. Schools will not
be allowed to bring additional tables, chairs, stools, set pieces, etc. Students are not
allowed to stand on the table and chairs at any time for liability reasons. No props,
lights, staging, costumes, makeup, sound effects, etc., will be allowed. Visual aids are
not permitted at any time, including handouts or materials before, during or after
competition. A script may not be held.
Presentation: Performances must include an introduction written by the students to
contextualize the performance and state the title and the author(s) of the material. The
introduction will be included in the total presentation time. Characters may direct
dialogue to off stage characters or to silent characters and /or audience (on and off-
stage focus). Performance shall be presented from memory.
Standards for Excellence: The material should provide opportunity for the actors to
develop a balanced, understandable scene with clear character relationships. The
characterization should be believable and consistent with the author’s intent. The
movement should flow naturally from the characters, giving proper focus on action
and reaction. The scene should grow with character insight, plot or mood
intensification and thematic statement. The selection should be such that the
performers can respond emotionally to the thought and mood; the literature should be
more than superficial in characterization or development of theme. The cutting should
focus on the relationship(s) between the characters they create. Skills should focus on
delivery, timing, and character development. The delivery should be such that
techniques of acting are not obvious. The performer’s voices should reveal the
meaning and context of the lines, as should any bodily movement and blocking; the
total effect should be real and genuine, rather than artificial, forced and mechanical.
Attention should be paid to good pronunciation and articulation, adequate volume,
tone, and acceptable vocal quality as determined by the characterization.
D
RAMATIC/HUMOROUS INTERPRETATION (DI/HI)
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efinition: Dramatic and Humorous Interpretation are the oral presentation of
literature.
Purpose: The purpose of Humorous Interpretation and Dramatic Interpretation is to
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ncrease student’s understanding of script analysis and the communication of ideas
through performance to encourage the application of theories and principles in oral
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nterpretation.
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aterial: Material must come from printed, published sources and must meet high
standards for good literature. Sources of material include cuttings from plays, verse
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lays, teleplays, screenplays, one-character plays, monologues, soliloquies or other
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orks that meet all criteria for the event may be presented. Though the performer may
select to do multiple monologues, the presentation will be limited to a single work.
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ompetitors may portray one or multiple characters. Material other than the author’s
work must be limited to 15%.
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ppropriateness of Material: See VIII-A-1 of the Speech Terms and Conditions.
Time Limit: 8 minutes.
Timekeeping Procedures: See VIII-E of the Speech Terms and Conditions.
Time Limit Penalty: For each full thirty (30) seconds of overtime (8:30.01, 9:00.01,
etc. - 1 tic past 8:30, 9:00, etc.) the contestant’s ranking from each judge will be
lowered by one (1) place. This reduction is mandatory and will be administered by the
contest management. The other contestants’ ranks will not be affected. There is no
penalty for speaking less than eight (8) minutes.
Use of Script, Props, and Visual Aids During Performance: No properties are
allowed. Visual aids are not permitted at any time, including handouts or materials
before, during or after competition. A script may not be held.
Presentation: Performances must include an introduction written by the students to
contextualize the performance and state the title and the author(s) of the material. The
introduction will be included in the total presentation time. Although nonverbal body
language is not prohibited, it should be used with restraint. Performance shall be
presented from memory.
Standards for Excellence: The material should provide an opportunity for the student
to demonstrate an understanding of the literature being presented through the
communication of the intent of the author, the relationship of the cutting to the work
as a whole, and the specific meanings of the passages presented. The selection
should be such that the performer can respond emotionally to the thought and mood;
the literature should be more than superficial in characterization or development of
theme. The delivery should be such that techniques of presentation are not obvious.
The performer’s voice should reveal the meaning of the selection, as should any bodily
movement; the total effect should be real and genuine, rather than artificial and
mechanical. Attention should be paid to good pronunciation and articulation, adequate
volume, tone, and acceptable vocal quality.
—12—
E
XTEMPORANEOUS SPEAKING (EXTEMP)
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efinition: Extemporaneous Speaking is the oral presentation of a speech on a
selected topic of international or domestic issues in which a student is given limited
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reparation time of thirty (30) minutes to prepare an original seven (7) minute speech
indicating their knowledge of current events concerning an assigned topic.
Purpose: The purpose of Extemporaneous Speaking is to encourage a student to gain
a
broad knowledge of current events (political, economic, cultural issues) and to
develop the ability to think critically and analyze the significance of such events and
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repare, in a short period of time, a meaningful speech which can be delivered in a
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killful manner.
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aterial: International and domestic extemporaneous speaking topics will be
generated and provided by the IHSA office. Student material must be original. The
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ontent, format, style, and thoughts of the material must be solely the product of the
contestant. Topics shall concern events which have been of state, national or
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nternational importance at any time between the beginning of the current school year
and the date of the contest. Topics shall be worded in the form of question, which
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oes not elicit blanket yes or no responses. Electronic storage devices can be used by
extemporaneous speakers to store and retrieve their files. Cell phones or smart
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hones are prohibited from being used in limited prep events.
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ppropriateness of Material: See VIII-A-1 of the Speech Terms and Conditions.
Time Limit: Thirty (30) minutes of prep time will be provided in the prep room.
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even (7) minutes of speaking time will be allowed.
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imekeeping Procedures: See VIII-E of the Speech Terms and Conditions.
Time Limit Penalty: For each full thirty (30) seconds of overtime (7:30.01, 8:00.01,
etc. or 1 tic past 7:30, 8:00, etc.) the contestant’s ranking from each judge will be
lowered by one (1) place. This reduction is mandatory and will be administered by the
contest management. The other contestants’ ranks will not be affected. There is no
penalty for speaking less than seven (7) minutes.
Use of Script, Props, and Visual Aids During Performance: No properties will be
allowed. Visual aids are not permitted at any time, including handouts or materials
before, during or after the competition. Only notes/notecards of any size/type made
during the timed preparation period are allowed
for use during the speech.
Presentation: 1. Start the Round: All scheduled extemporaneous speakers will begin
in the extemporaneous speaking prep room. The extemporaneous prep room should
be used by all speakers and have tables and chairs or desks for the students to work.
A prep room monitor in charge of the room shall be present during the preparation
time to see that all the rules regarding the preparation period are observed and to
assure that there is no consultation and that only the allowable materials are used in
the designated prep room. Contest managers shall publish and post specific
preparation and performance times for each contestant in each round.
2. Draw the Topic: According to their order of speaking at intervals to
provide each contestant 30 minutes of preparation time, the prep room monitor shall
provide each speaker an envelope containing six (6) topics. Each round will receive 6
topics on the following categories:
Round 1 - International topics
Round 2 - Domestic topics
Final Round - In the news/international and domestic topics combined
The contestant shall draw three (3) topics randomly from the six (6) provided in the
envelop and, within one minute, choose the one on which to speak. The choice of the
drawing shall be recorded by the prep room monitor. There will be a separate set of
questions for each round. Contestants will speak on a different topic in each round.
3. After the Draw: After receiving the topics, the student may not leave
the prep room (unless for an emergency) without the authorization of the prep room
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onitor or consult with anyone during their allotted prep time. In the prep room, the
speaker may access and review research and evidence such as published books,
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eriodical articles, newspaper articles, think tank articles, government reports, journal
articles, annotated bibliography, etc. or copies of such materials. Students must
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rovide their own preparatory materials and/or a device to access these sources
online. Electronic storage/retrieval devices can be used by extemporaneous speakers
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o store and retrieve their files. No other source materials will be allowed in the
extemporaneous prep room other than stated above. Pre-written extemporaneous
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peeches, past speeches, handbooks, briefs, notes or prepared outlines are prohibited
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rom the prep room, whether stored electronically or present in hard copy form.
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uring the prep time students can outline arguments with the supporting materials
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hey brought and practice delivery.
4. Electronic Devices: Electronic retrieval devices are defined as laptop
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omputers, netbooks, iPads, or other portable electronic retrieval equipment. For
further clarification refer to the Laptop Use in Extemporaneous Speaking document in
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his manual. Computers or other electronic devices (cell phones) may be used to
receive information from outside of the prep room and/or competition room. Students
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re allowed to access the internet during the preparation period; however, they are not
allowed to communicate with another person during their preparation period.
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ontestant’s may use a stopwatch, including the one on their phone, to monitor
their prep time. No other material shall be allowed in the extemporaneous prep
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oom other than stated above. Violation of these terms may result in the student
being ranked last in the round up to disqualification from the tournament.
5. Speaking: A room manager will call the designated student into the
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ompetition room. The topic chosen and spoken on by the contestant shall be
presented to the judge(s). In all contests, the competitor shall begin thirty minutes
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fter the first contestant has drawn their topic. Extemporaneous speaking competition
rounds are open to spectators, including all participants.
Standards for Excellence: The material should be an original speech created during
the prep time addressing the selected question. The speech should be well supported,
clearly organized. The organization of the speech should be such that the introduction
gains attention, states a clear thesis and previews the main points which are clear and
logical. The body of the speech should structure concise arguments supported with
evidence. The development of the speech should be such that the speaker does not
deviate from the topic, progresses with the topic, and demonstrates reasonable
analysis. The message should display preparation, knowledge and clear thinking. The
organization should demonstrate an evident logical development of ideas and
arguments. The conclusion should summaries the speakers’ position and review the
main points in addition to linking back to the introductory attention getter. The
information used by the speaker should be accurate, pertinent and demonstrate a
thorough knowledge of the topic. In delivery, the speaker’s style should hold attention
and display an effective use of language. The speaker should be poised and maintain
eye contact with the audience. The speaker’s voice should be clear, direct, real and
genuine, rather than mechanical and forced. Nonverbals and bodily movement should
enhance the message and be effective without being distracting. The delivery should
be sincere, interesting and should indicate the speaker’s familiarity with the topic. The
total presentation should be natural and interesting. Attention should be paid to good
pronunciation and articulation, adequate volume, tone and acceptable vocal quality and
demonstrate true extemporaneous style.
—13—
I
MPROMPTU SPEAKING (IMPT)
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efinition: Impromptu Speaking is the oral presentation of a speech in which a
student is given limited preparation time of two (2) minutes to select a topic and
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repare to deliver an original six (6) minute speech indicating their knowledge of
abstract ideas concerning an assigned topic.
Purpose: The purpose of Impromptu Speaking is to utilize a speaker’s ability to
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reatively and logically analyze a prompt, process their thoughts, organize points, and
deliver a meaningful speech in a clear, coherent and skillful manner.
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aterial: Impromptu speaking topics will be generated and provided by the IHSA
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ffice. Student material must be original. The content, format, style, and thoughts of
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he material must be solely the product of the contestant. In a given round, all
students within the same section will speak on a topic of their choice from a selection
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f three topics. Topics shall be chosen from the following categories: Quotations,
Phrases and Proverbs. Judges will be given the three topics that the students may
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elect. Cell phones or smart phones are prohibited from being used in limited prep
events.
Appropriateness of Material: See VIII-A-1 of the Speech Terms and Conditions.
Time Limit: Two (2) minutes of mandatory prep time will be provided in the
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erformance room and six (6) minutes of speaking time will be allowed.
Timekeeping Procedures: See VIII-E of the Speech Terms and Conditions.
Time Limit Penalty: For each full thirty (30) seconds of overtime (6:30.01, 7:00.01,
e
tc. or 1 tic past 6:30, 7:00, etc.) the speaker’s ranking from each judge will be lowered
by one (1) place. This reduction is mandatory and will be administered by the contest
management. The other speakers’ ranks will not be affected. There is no penalty for
speaking less than six (6) minutes.
Use of Script, Props, Visual aids During Performance: No properties will be allowed.
Visual aids are not permitted at any time, including handouts or materials before,
during or after the competition. Only one (1) notecard of any size/type made during
the preparation time is allowed for use during the speech.
Presentation: 1. Start the Round: All scheduled impromptu speakers will begin in the
competition room. The room chair will welcome the speakers and take roll. The
speakers will then be dismissed to the hallway or an adjacent room where they cannot
hear the presentations. The first scheduled speaker will remain in the competition
room.
2. Speakers: Speaker may not enter the competition room until their
scheduled speaking time and must remain after they have finished speaking unless
they are double entered and ask permission to leave to perform in another round.
Students who leave the room due to double entries must not share the topic or genre
with other students. Compromising the confidentiality of the topic(s) may result in
disqualification.
3. Selecting the Topic: A table and chair or desk located behind the
judge(s) should be provided in the impromptu speaking room. The speakers should
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rep while seated behind the judge(s). The room chair shall provide an envelope with
the three (3) impromptu topics to the speaker. The speaker shall select a topic in
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hich to speak and then return the topics to the room chair. Immediately upon
opening the envelope and reading the topics, prep time has begun and the student
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hall have two (2) minutes to prepare a speech without consultation and without
references to prepared notes. After receiving the topics, the student may not leave the
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oom (unless for an emergency) or consult with anyone during his/her allotted prep
time. Contestant’s preparation materials are limited to a stopwatch, a writing
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mplement and one (1) notecard of any size/type that may be used during delivery. No
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ther material shall be allowed in the impromptu prep room other than stated
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bove; this includes cell phone devices which should not be used as a time piece.
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tudents may not consult published books, magazines, newspapers, journals, articles,
speeches, handbooks, briefs, summary notes, annotated bibliography, outlines, etc. or
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opies of such materials. No electronic retrieval device may be used. During the
preparation period, the contestant shall not receive advice, information or suggestions
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rom anyone. After the two (2) minute prep time the speaker will begin their speech.
4. Continuing the Round: The other speakers shall proceed in like
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anner, in the order of speaking. Spectators must remain in the room until all
contestants have finished speaking. For each round, a different impromptu topic
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ategory will be used. All sections from each round shall receive topics from the same
genre. For each section, the students will receive the same three topics. Students
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ay not enter the competition room until the room chair directs them to enter.
Standards for Excellence: The material should be an original speech created during
the prep time addressing the selected topic. The speech should be clearly organized
a
nd supported. The organization of the speech should be such that the introduction
gains attention, states a clear thesis and previews the main points which are clear and
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ogical. The body of the speech should be concise and structured. The development
of the speech should be such that the speaker does not deviate from the topic,
progresses with the topic, and demonstrates reasonable analysis. The message
should display clear thinking. The organization should demonstrate an evident logical
development of ideas. The conclusion should summaries the speakers’ thesis and
review the main points in addition to linking back to the introductory attention getter.
Speakers should demonstrate reasonable creativity in analysis, logic, and exposition of
the topic and literary devices. In delivery, the speaker should be poised, hold attention,
use language effectively, and demonstrate variety in mechanics. The speaker should
maintain eye contact with the audience. The speaker’s voice should be clear, direct,
real and genuine, rather than mechanical and forced. Delivery should be sincere,
interesting and should indicate the speaker’s analysis and familiarity with the topic.
Nonverbals and bodily movement should enhance the message and be effective
without being distracting. The total presentation should be natural and interesting.
Attention should be paid to good pronunciation and articulation, adequate volume,
tone and acceptable vocal quality and demonstrate true impromptu style.
—14—
I
NFORMATIVE SPEAKING (INFO)
D
efinition: Informative Speaking is the oral presentation of the student’s original
expository speech.
Purpose: The purpose of Informative Speaking is to guide students in audience
a
nalysis, topic selection, research, organization and development of a sense of literary
style in speech designed to elevate of level of significant information for an audience.
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he goal is to educate not advocate.
M
aterial: Material must be original. The content, format, style and thoughts of the
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peech must be the product of the student. No more than 150 words in the speech
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ay be direct quotation. A fabricated topic/subject may not be used. Students may
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ot use any portion of their original oratory if double entered at the tournament.
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ppropriateness of Material: See VIII-A-1 of the Speech Terms and Conditions.
T
ime Limit: 8 minutes.
T
imekeeping Procedures: See VIII-E of the Speech Terms and Conditions.
T
ime Limit Penalty: For each full thirty (30) seconds of overtime (8:30.01, 9:00.01,
etc. or 1 tic past 8:30, 9:00, etc.) the speakers’ ranking from each judge will be lowered
b
y one (1) rank. This reduction is mandatory and will be administered by tournament
management. The other speakers’ ranks will not be affected. There is no penalty for
speaking less than eight (8) minutes.
Use of Script, Props, and Visual Aids During Performance: No properties will be
a
llowed. Visual aids are not permitted at any time, including handouts or materials
before, during or after the competition. Notes, notecards or manuscript may be used.
Presentation: Students may use notes, notecards, or manuscripts or speak from
memory.
Standard for Excellence: The material should be an original speech on a subject of
current interest. The student should describe, clarify, illustrate or define an object,
idea, concept or process. The topic of the speech should have a clear purpose. The
speech should be well researched, clearly organized and presented with evidence and
logic. The material should display preparation, knowledge and clear thoughts. The
organization should demonstrate an evident organizational pattern with a logical
development of ideas. The style should indicate an effective choice of words and
phrases. The content should be coherent and unified with a range of properly cited
support materials including quotations, statistics, examples, comparisons, and
analogies. The speaker should maintain direct eye contact with the audience. The
speaker’s voice should be real and genuine, rather than mechanical. Nonverbals and
bodily movement should enhance the message and be effective without being
distracting. The delivery should be sincere, interesting and should indicate the
speaker’s familiarity with the content and passion for the topic. The total presentation
should be natural and interesting, and the speaker’s voice should be clear and direct.
Attention should be paid to good pronunciation and articulation, adequate volume,
tone and acceptable vocal quality.
O
RIGINAL COMEDY (OC)
D
efinition: Original Comedy is the oral presentation of the student’s original comedic
work.
Purpose: The purpose of Original Comedy is to enable students to employ their
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reative skills in the writing and presentation of humorous material designed to
entertain.
Material: Material must be original. The content, format, style and thought of the
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aterial must be the product of the contestant. There shall be no restriction on form.
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t may be dialogue, monologue or a combination. No more than 150 words of the
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peech may be direct quotation.
Appropriateness of Material: See VIII-A-1 of the Speech Terms and Conditions.
Time Limit: 8 minutes.
Timekeeping Procedures: See VIII-E of the Speech Terms and Conditions.
Time Limit Penalty: For each full thirty (30) seconds of overtime (8:30.01, 9:00.01,
e
tc. or 1 tic past 8:30, 9:00, etc.) the contestant’s ranking from each judge will be
lowered by one (1) place. This reduction is mandatory and will be administered by the
c
ontest management. The other contestants’ ranks will not be affected. There is no
penalty for speaking less than eight (8) minutes.
U
se of Script, Props, and Visual Aids During Performance: No properties, including
costumes, will be allowed. Visual aids are not permitted at any time, including
h
andouts or materials before, during or after the competition. Notes, notecards or
manuscripts may be used.
Presentation: Students may use notes, notecards or manuscripts or speak from
memory.
Standards for Excellence: The material should be original content on a subject of
general interest and not offensive to any audience. The speech should be organized
around some unifying idea or theme and should be entertaining. The style should
indicate a creative, effective choice of words, phrases and literary devices. The
delivery should be clear and lively. Nonverbals and bodily movement should enhance
the message and be effective without being distracting. The total presentation should
be pleasing with the speaker using appropriate volume. Attention should be paid to
good pronunciation and articulation, adequate volume, tone and acceptable vocal
quality as determined by the original script.
—15—
O
RATORICAL DECLAMATION (DEC)
D
efinition: Oratorical Declamation is the oral presentation of persuasive or
inspirational material of literary merit.
Purpose: The purpose of Oratorical Declamation is to acquaint students with notable
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xamples of persuasive or inspirational literature and provide them an opportunity to
develop skills of interpretation and delivery through the preparation and oral
p
resentation of such examples.
M
aterial: Material must come from appropriate printed, published sources and must
m
eet high standards for good literature. Material can come from editorial, essays,
s
peeches, commencement address, etc. and be pertinent to current issues.
Appropriateness of Material: See VIII-A-1 of the Speech Terms and Conditions.
Time Limit: 8 minutes.
Timekeeping Procedures: See VIII-E of the Speech Terms and Conditions.
Time Limit Penalty: For each full thirty (30) seconds of overtime (8:30.01, 9:00.01,
e
tc. - 1 tic past 8:30, 9:00, etc.) the contestant’s ranking from each judge will be
lowered by one (1) place. This reduction is mandatory and will be administered by the
c
ontest management. The other contestants’ ranks will not be affected. There is no
penalty for speaking less than eight (8) minutes.
U
se of Script, Props, and Visual Aids During Performance: No properties will be
allowed. Visual aids are not permitted at any time, including handouts or materials
b
efore, during or after competition.
Presentation: Performances must include an introduction written by the students to
contextualize the performance and state the title and the author(s) of the material. The
introduction will be included in the total presentation time. Although nonverbal body
language is not prohibited, it should be used with restraint. Performance shall be
presented from memory.
Standards for Excellence: The material should be a logical cutting that provides the
interpretation intended by the author. The organization should be clear and focused
upon the purpose of the author’s original material. The delivery should indicate the
speaker’s familiarity with the material and convey a message with clarity and emotion
in an engaging manner. The speaker should maintain direct eye contact with the
audience. The speaker’s voice should reveal the meaning and intent of the selection,
as should any bodily movement; the total effect should be real and genuine, rather
than artificial and mechanical. The total presentation should be natural and interesting.
The speaker’s voice should be clear and direct. Attention should be paid to good
pronunciation and articulation, adequate volume, tone and acceptable vocal quality as
determined by the interpretation.
O
RIGINAL ORATORY (OO)
D
efinition: Original Oratory is the oral presentation of the students original
persuasive speech.
Purpose: The purpose of Original Oratory is to guide students in audience analysis,
t
opic selection, research, organization, and development of a sense of a literary style in
a speech designed to express convictions and persuade an audience.
Material: Material must be original. The content, format, style and thoughts of the
s
peech must be the product of the contestant. No more than 150 words in the speech
m
ay be direct quotation.
A
ppropriateness of Material: See VIII-A-1 of the Speech Terms and Conditions.
T
ime Limit: 8 minutes.
T
imekeeping Procedures: See VIII-E of the Speech Terms and Conditions.
T
ime Limit Penalty: For each full thirty (30) seconds of overtime (8:30.01, 9:00.01,
etc. - or 1 tic past 8:30, 9:00, etc.) the contestant’s ranking from each judge will be
l
owered by one (1) place. This reduction is mandatory and will be administered by the
contest management. The other contestants’ ranks will not be affected. there is no
p
enalty for speaking less than eight (8) minutes.
Use of Script, Props and Visual Aids During Performance: No properties will be
a
llowed. Visual aids are not permitted at any time, including handouts or materials
before, during or after the competition. Notes, notecards or manuscripts may be used.
Presentation: Students may use notes, notecards or manuscripts or speak from
memory.
Standards for Excellence: The material should be an original speech on a subject of
current interest. The speech should be well researched, clearly organized and
presented with evidence, logic, and emotional appeals. The content should contain a
clear purpose with an urge to action. The message should display preparation,
knowledge and clear thoughts. The organization should demonstrate an evident
logical development of ideas. The style should indicate an effective choice of words
and phrases. The speaker should maintain direct eye contact with the audience. The
speaker’s voice should be real and genuine, rather than mechanical. Nonverbals and
bodily movement should enhance the message and be effective without being
distracting. The delivery should be sincere, interesting and should indicate the
speaker’s familiarity with the content and passion for the topic. The total presentation
should be natural and interesting, and the speaker’s voice should be clear and direct.
Attention should be paid to good pronunciation and articulation, adequate volume,
tone and acceptable vocal quality.
—16—
P
OETRY READING (PT)
D
efinition: Poetry Reading is the oral interpretation of poetry.
P
urpose: The purpose of Poetry Reading is to acquaint students with the genre and
the application of the theories and principles of oral interpretation.
Material: Material must come from appropriate printed, published sources and must
m
eet high standards for good literature. Material must come from poetic literature.
Compilations of poems are permissible. Each contestant will prepare one (1) program
o
f one (1) or more poem(s).
A
ppropriateness of Material: See VIII-A-1 of the Speech Terms and Conditions.
Time Limit: 8 minutes.
Timekeeping Procedures: See VIII-E of the Speech Terms and Conditions.
Time Limit Penalty: For each full thirty (30) seconds of overtime (8:30.01, 9:00.01,
e
tc. - 1 tic past 8:30, 9:00, etc.) the contestant’s ranking from each judge will be
lowered by one (1) place. This reduction is mandatory and will be administered by the
c
ontest management. The other contestants’ ranks will not be affected. There is no
penalty for speaking less than eight (8) minutes.
Use of Script, Props, and Visual Aids During Performance: No properties are
allowed. Visual aids are not permitted at any time, including handouts or materials
b
efore, during or after the competition. The script (poetry book) will be held.
P
resentation: Performances must include an introduction written by the students to
contextualize the performance and state the title of the programs and/or poem(s) and
the author(s) of the material. The introduction will be included in the total presentation
time. Although nonverbal body language is not prohibited, it should be used with
restraint.
Standards for Excellence: The material should convey the theme selected and be a
logical cutting to give the interpretation intended by the author and should give the
listener the impression that the presentation is total and complete. The delivery should
indicate the reader’s familiarity with the material.
The delivery should be such that the reader conveys the thought of the verse through
vocal expression; rhythm should be apparent but not obvious and distracting; tone
quality should enhance meaning. The reader should gain eye contact with the
audience; their voice should be clear and direct and the volume adequate; the total
presentation should be natural and interesting. The reader’s voice should reveal the
meaning of the selection, as should any bodily movement; the total effect should be
real and genuine, rather than artificial and mechanical. Attention should be paid to
good pronunciation and articulation, adequate volume, tone, and acceptable vocal
quality as determined by the interpretation.
P
ROSE READING (PR)
D
efinition: Prose Reading is the oral interpretation of prose literature.
P
urpose: The purpose of Prose Reading is to acquaint students with the genre and the
application of the theories and principles of oral interpretation.
Material: Material must come from appropriate printed, published sources and must
m
eet high standards for good literature. Material must come from prose literature.
Sources of material include cuttings from novels, short stories, biographies,
n
onfiction, letters and diaries. The use of dramatic literature is not permitted. Each
c
ontestant will prepare one (1) Prose Reading selection. Cuttings must contain less
t
han 50% dialogue.
Appropriateness of Material: See VIII-A-1 of the Speech Terms and Conditions.
Time Limit: 8 minutes.
Timekeeping Procedures: See VIII-E of the Speech Terms and Conditions.
Time Limit Penalty: For each full thirty (30) seconds of overtime (8:30.01, 9:00.01,
e
tc. - 1 tic past 8:30, 9:00, etc.) the contestant’s ranking from each judge will be
lowered by one (1) place. This reduction is mandatory and will be administered by the
c
ontest management. The other contestants’ ranks will not be affected. There is no
penalty for speaking less than eight (8) minutes.
U
se of Script, Props, and Visual Aids During Performance: No properties are
allowed. Visual aids are not permitted at any time, including handouts or materials
b
efore, during or after the competition. The script (prose book) will be held.
Presentation: Performances must include an introduction written by the students to
contextualize the performance and state the title and the author(s) of the material. The
introduction will be included in the total presentation time. Although nonverbal body
language is not prohibited, it should be used with restraint.
Standards for Excellence: The material should be a logical cutting to give the
interpretation intended by the author and should give the listener the impression that
the presentation is total and complete. The delivery should indicate the reader’s
familiarity with the material. The reader should gain eye contact with the audience;
their voice should be clear and direct and the volume adequate; the total presentation
should be natural and interesting. The reader’s voice should reveal the meaning of the
selection, as should any bodily movement; the total effect should be real and genuine,
rather than artificial and mechanical. The reader should be natural and interesting.
Attention should be paid to good pronunciation and articulation, adequate volume,
tone, and acceptable vocal quality as determined by the interpretation.
—17—
R
ADIO SPEAKING (RADIO)
D
efinition: Radio Speaking is the oral presentation of a newscast in which a student is
given limited preparation time of forty-five (45) minutes to select, cut, and prepare to
d
eliver an original five (5) minute broadcast of news stories and a commercial
indicating their knowledge of compiling provided stories.
Purpose: The purpose of Radio Speaking is to encourage a student to gain
e
xperiences in broadcasting concentrating on clarity, style and delivery.
M
aterial: Radio speaking script content will be generated and provided by the IHSA
o
ffice. This material will include a prepared commercial advertising a product or
s
ervice that must be used in the speakers’ script. From this provided material, the
c
ontestant will prepare a newscast by deleting any parts or items. No new content or
original material may be added except introductions, transitions, and conclusions. The
u
se of creative transitions, commentary and colorful verbs in sports, weather and the
commercial are allowed to enhance the performance. Contestants may enter the
p
reparation room with prepared outside content provided it is limited exclusively to
transitions, introductions, or conclusions. Different radio script material will be
s
upplied for each round. A copy of the radio script material will be provided to the
judge(s). Cell phones or smart phones are prohibited from being used in limited
p
rep events.
A
ppropriateness of Material: See VIII-A-1 of the Speech Terms and Conditions.
Time Limit: 4:50 to 5:05 with the speaker expected to finish at 5:00. In radio
s
peaking, the timer will announce the total performance time out loud to competitors
and judge(s) at the end of a student’s performance.
Timekeeping Procedures: See VIII-E of the Speech Terms and Conditions.
Time Limit Penalty: If the contestant does not finish within the time allowed, 4:50 to
5:05, they will be ranked last in the round and the other contestantsranks will be
adjusted. This reduction is mandatory and will be administered by the contest
management.
Use of Script, Props, Visual Aids During Performance: No properties will be allowed.
Visual aids are not permitted at any time, including handouts or materials before,
during or after the competition. The speakers will read from their script developed
during the preparation time. The students may not utilize any electronic or mechanical
device in their performance other than the microphone provided by the management
and a timing device. Students may use a stopwatch to monitor their performance
time.
Equipment: The following equipment will be provided for radio competition:
1 Table - no smaller than 48” x 24”
1 Chair
1 Adjustable mic stand
1 Multidirectional microphone
1 Speaker system
P
resentation: 1. Start the round: All scheduled radio speakers will begin in the radio
speaking prep room. The radio prep room should be used by all speakers and have
t
ables and chairs or desks for the students to work. A prep room monitor in charge of
the room shall be present during the preparation time to see that all the rules regarding
t
he preparation period are observed and to assure that there is no consultation and
that only the allowable materials are used in the designated prep room. The prep room
m
onitor in charge of the room shall see that all the rules regarding the preparation
period are observed. Contest managers shall publish and post specific preparation
a
nd performance times for each contestant in each round.
2. Prep the script: The radio speaking prep room monitor will provide
s
cripts to the competing radio speakers prior to each round. The preparation period
s
hall begin approximately forty-five (45) minutes before the contest is scheduled to
b
egin. Contestants preparation materials are limited to a stopwatch, writing
i
mplements, folders, scissors, tape/glue sticks, markers, and highlighters. During the
preparation time, speakers shall not receive advice, information or suggestions from
a
nyone. Provided script material will be different for each round. No other material
shall be allowed in the radio speaking prep room other than stated above; this
i
ncludes cell phone devices which should not be used as a time piece.
3. Speaking: A room manager will call the designated student into the
c
ompetition room. The contestants should perform in an adjoining room from the
judges and audience by speaking into a standard public address microphone while
s
eated at a table. The public address speaker unit must be arranged so that the
speaker’s voice will be clearly audible to the judge and the audience. Competitors shall
h
ave the option of requesting a microphone check prior to the beginning their
performance. A ‘countdown’ does not count as part of a microphone check and
should not be used. Timing shall begin with the first word spoken by a competitor and
t
iming should not including the microphone check prior to the performance. All words
spoken after timing begins will be considered to have gone out ‘on the air’ as part of
t
he newscast.
Standards for Excellence: The material should be an original newscast created during
the prep time utilizing the provided content. The newscast should be compiled in a
well-organized, logical manner. The source news stories and commercial provided by
the state office should be cut and edited in a concise manner with special effort to
adhere as close as possible to the five (5) minute time limitation. The development of
the newscast should be such that the speaker does not deviate from the provided
script, progresses with the content and demonstrates reasonable analysis in the
cutting and editing of news. The radio script should display clear thinking and the
organization should demonstrate an evident logical development of stories.
Transitions should be smooth. The delivery should include a clear, pleasant and
confident voice; the rate should be understandable and varied; news items should be
separated by pauses and changes in pitch; correct emphasis and phrasing of thought
should be apparent. Reading clarity and the appeal of the stories selected should be
considered when evaluating a clearly communicated newscast. Students must use the
news script provided by the contest, and may not add material, except transition
sentences, introductions (such as call letters) and conclusions. In delivery, the speaker
should be poised, hold attention, and use language effectively. The speaker’s voice
should be fluent and clear, and delivery should be sincere. The total presentation
should be natural and interesting. Attention should be paid to good pronunciation and
articulation, adequate volume, tone and acceptable vocal quality and demonstrate true
radio broadcasting style. The time limit is 4:50 to 5:05 with the student expected to
finish at 5:00 minutes.
—18—
S
PECIAL OCCASION SPEAKING (SOS)
D
efinition: Special Occasion Speaking is the oral presentation of the student’s original
speech where the student is himself or herself at his or her current age speaking in a
r
ealistic situation for the purpose of entertaining an audience.
P
urpose: The purpose of Special Occasion Speaking is to provide an opportunity for
contestants to present a practical message in an entertaining manner under simulated
real life” conditions organized around a central theme and designed to make a serious
point through the use of humor.
M
aterial: Material must be original. The content, format, style, and thought of the
m
aterial must be solely the product of the contestant. No more than 150 words of the
s
peech may be direct quotation.
A
ppropriateness of Material: See VIII-A-1 of the Speech Terms and Conditions.
T
ime Limit: 8 minutes.
T
imekeeping Procedures: See VIII-E of the Speech Terms and Conditions.
T
ime Limit Penalty: For each full thirty (30) seconds of overtime (8:30.01, 9:00.01,
etc. or 1 tic past 8:30, 9:00, etc.) the contestant’s ranking from each judge will be
l
owered by one (1) place. This reduction is mandatory and will be administered by the
contest management. The other contestants’ ranks will not be affected. There is no
penalty for speaking less than eight (8) minutes.
Use of Script, Props and Visual Aids During Performance: No properties will be
a
llowed. Visual aids are not permitted at any time, including handouts or materials
before, during or after the competition. Notes, notecards or manuscripts may be used.
Presentation: Students may use notes, notecards or manuscripts or speak from
memory.
Standards for Excellence: The material for the speech should be organized to suit the
subject, purpose, and occasion and to entertain. Though Special Occasion Speaking is
a speech to entertain, the entertaining elements should supplement, not replace, the
speech structure. Thus, if the entertaining elements were removed from the speech,
there would still be a clear speech structure with the use of supporting materials. In a
public speaking event, characterization is used as an example, when done by the
speaker. It should not be a primary element in the speech. The delivery of the speech
should demonstrate the poise and audience contact of the speaker. Pronunciation,
articulation, and volume should be adequate; the speaker’s voice should be pleasant;
the speaker’s appearance should provide no distractions.
P
ERFORMANCE IN THE ROUND (PIR)
D
efinition: Performance in the Round is the presentation of material involving three or
more students in a space where the fourth wall is removed thus bringing actor into the
s
ame space as the audience.
P
urpose: The purpose of Performance in the Round is to provide students with
expanded acting opportunities in non-traditional spaces.
Material: Material can be original works and/or scripted published works of
h
umorous and/or dramatic nature. Literature, full length works, excerpts, adaptations,
a
nd compilations are permissible.
A
ppropriateness of Material: See VIII-A-1 of the Speech Terms and Conditions.
T
ime Limit: The time limit for a PIR performance is fifteen (15) minutes.
T
imekeeping Procedures: Performances shall not exceed fifteen (15) minutes in
length from the initial performance element to the final performance element. In
a
ddition to the actual performance time, each PIR will have an additional thirty (30)
seconds to “place or set up” and thirty (30) seconds to “remove or take down” their
a
llowable materials. After the physical set-up, the circle is cleared. The actual
performance begins as soon as the name of the school performing, the title of the
p
erformance, and the author(s) of the performance is announced by the room chair.
Timers shall start the clock with the first identified audio and or visual element inside
or outside of the performance circle after the room chair’s introduction.
1. Two (2) timers shall keep time and follow the same procedures as
outlined in VIII-E of the Speech Terms and Conditions.
2. The director/student of each PIR shall describe to the timers prior to
the start of the performance, the precise moments of the initial cue and final
performance element. Timers shall use these cues as guidelines to start and stop
timing. Official timing will begin with the first performance element and conclude with
the final performance element.
3. For each full thirty (30) seconds of overtime (15:30.01, 16:00.01, etc.
or 1 tic pat 15:30, 16:00 etc.) the performances ranking from each judge will be
lowered by one (1) place. Both timers must confirm the overtime. This reduction is
mandatory and will be administered by the contest manager. The other performances
ranks will not be affected. There is no penalty for performing less than fifteen (15)
minutes.
Use of Script, Props, and Visual Aids: Costumes and personal hand-held props may
be used. Footwear must be worn by all members of the cast. No scenery may be used.
No auxiliary/supplemental lighting shall be used. Facility lighting will always remain
on. Two (2) solid standard tables with four legs approximately 30” x by 40” inches in
length and ten (10) chairs shall be provided by the host site. If a table meeting these
approximate dimensions is not available, managers should specify the dimensions and
any other specifics of the table to be used to competing schools prior to the start of
the tournament. Schools will not be allowed to bring additional tables, chairs, stools,
set pieces, etc. Students are not allowed to stand on the table and chairs at any
time for liability reasons. Scripts/interp. books may be held.
Presentation: The actual performance space shall be in a 16-foot diameter taped
circular area. The width of the aisle should be no less than 30 inches. This may be in a
classroom, study hall, cafeteria, gymnasium, music room, multi-purpose room,
auxiliary space, or a stage, etc. and can be marked off with tape. The audience will be
in an arena arrangement and the performance space in the center of the area. The
audience will be placed around the performance space at an appropriate distance as
allowed by the performance area from the circle allowing for adequate movement.
Judges need to be positioned an equal distance apart from one another around the
circle, as reasonably possible. Avoid sitting judges directly beside aisle. Judges
seating positions must be approved by the committee the day of the performance.
Except for music and sound effects, all performance elements, including off stage
dialogue, must be within the 16-foot circle. Four (4) entrance and exit shall be at
spaced equally around the circle. Note: See illustration.
1. Live and/or electronic music/sound effects may be used. If used,
music/sound should enhance the performance, not dominate the performance. Only
eligible students are permitted to operate any technical equipment during the
performances.
2. Performers may enter and leave the performance space aisles as
dictated by the director and/or script.
—19—
3. Character(s) performing solo or ensemble singing initiated within the
performance circle must resolve itself upon leaving the circle. Solo or ensemble
s
inging initiated while outside of the circle should support contextual mood and not
represent a specific character(s) intension and must resolve itself upon entering the
p
erformance circle. No performance elements should occur in the aisles. For
entrances and exits, performers may only maintain physical (no verbal/sound)
c
haracterization.
4. General Penalty for Violations in PIR: Unless otherwise specified in the
r
ules, the penalty for rules violations in any round of competition throughout the entire
contest series shall be that the PIR’s ranking in the round where the violation occurs
b
e changed to last and the ranks of other contestants will be adjusted as necessary.
J
udging: Each performance in the round will only perform once at regionals and
sectional. The state final will have preliminary and final rounds in PIR.
1. At regionals three (3) judges shall be used. The top four finishers from
each regional shall advance to sectionals.
2. At sectionals five (5) judges shall be used. The highest and lowest
rankings shall be dropped. The top three finishers from each sectional shall advance
to the state final.
3. At the state final three (3) judges shall be used for the preliminary
rounds. The final round shall have five (5) judges and the highest and lowest rankings
shall be dropped.
Ties: Ties will be broken for advancement. The Judges Preference tie break process
will be used to break ties.
Standards of Excellence: The material should provide an opportunity for the
performers to develop an understandable sequence with coherence and clarity. The
movement should flow naturally from the performers, giving proper focus to action
and reaction. The performance should use space effectively to provide for optimum
visual effects.
Entrances at
12, 3, 6, 9
on the circle